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Pre-order on Amazon.) is a narratively tangled affair—told in unreliable flashback by its protagonist—about Theron's MI6 spy navigating a sea of Berlin duplicity on a mission to learn why her espionage cohort-lover was murdered.The hunt for a coveted list of covert agents follows, with KGB baddies and James Mc Avoy's dubious colleague complicating matters to a head-spinning degree.

Eschewing many non-fiction conventions (talking head interviews, textual summaries) for a chronologically fractured, up-close-and-personal depiction of courage under fire, it's a film that inspires as much as it horrifies and infuriates. Scott's latest spends its first hour setting up a familiar battle between human colonists and angry xenomorphs, after the former decide to investigate a mysterious distress signal from a nearby planet.

Yet after expertly going through the tried-and-true monster-movie motions, the director then shifts gears by turning his prime attention to Michael Fassbender's android David—who, it turns out, is an inhabitant of this ancient world.

A fitting send-off for one of cinema’s great character actors, it’s a quiet, powerful tale of life, death, friendship, love, togetherness, and the unseen forces that govern our behavior—and bind us together. In this breakneck nocturnal thriller, Pattinson is Connie, a low-level hood who finds himself on a desperate search for bailout cash after a bank robbery goes awry and his accomplice—his mentally challenged brother Nick (Ben Safdie)—is arrested and given a one-way ticket to Rikers Island.

With a scruffy goatee, disheveled hair that he eventually bleaches a garish blonde, and amoral desperation in his eyes, Pattinson proves a mesmerizing man on the run, his motivations cloudy, his behavior unethical, and his every decision more foolhardy than the last.

Taking its name from a gallery installation designed to provide a safe space for citizens, Östlund’s saga concerns museum director Christian (Claes Bang), who finds himself at the center of a personal maelstrom thanks to, among other things, a marketing campaign that goes horribly awry, a tense relationship with a journalist (Elisabeth Moss), and a growing crisis caused by his attempts to reclaim his stolen cell phone.

Be it an artist’s (Dominic West) encounter with a Tourette Syndrome-afflicted patron, or a gala dinner interrupted by the arrival of a man (Terry Notary) posing as an ape—and then accosting guests in an increasingly hostile manner—the film spares few in its takedown of our animalistic instincts, and the way in which they interfere with (if not outright decimate) our more considerate impulses.

That group, known as "Raqqa Is Being Silently Slaughtered" (RBSS), is the focus of director Matthew Heineman's sterling new documentary, which embeds itself with three RBSS members as they struggle to continue their work from Germany and Turkey, where they've been forced to flee thanks to death threats from ISIS.

Posting ghastly video and still photos of ISIS atrocities in order to elicit global outrage and opposition, RBSS risks literal life and limb in its battle with terrorism, and to a significant extent, so too does Heineman via his doc, which embraces its subject's cause in order to effect change.

A sterling supporting cast (also featuring Tracy Letts and Lois Smith) further bolster this distinctly drawn tale, although it rests on the able shoulders of Ronan, whose fierce and funny embodiment of Lady Bird is downright irresistible.

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